“We need a new audiovisual law and a restructured agency,” said Dritan Huqi.

“The current legal base doesn’t support tax incentives or the building of a film industry,” added producer Sabina Kodra.

“We’ve been waiting nearly a decade for this law. It’s urgent,” emphasized Genc Përmeti.

Veteran filmmaker Edmond Budina noted the economic potential of film funding:

“The ministry shouldn’t see film financing as lost money. I received €300,000 and brought in €1 million through co-productions.”

Others, like Edmond Topi, highlighted the absence of cinemas and distributors, making it nearly impossible for films to complete their commercial cycle.

A key demand was the reform of the National Center of Cinematography (QKK), especially in how it supports national and international co-productions. Filmmakers also criticized the leadership style of the institution, arguing it should not be run as a “private fiefdom.”

The QKK is currently awaiting the appointment of a new director following the dismissal of Eol Çashku.